So I would convince myself that if it was raining, it was OK because I was benefiting. "I literally wouldn't be able to afford taking the subway home. "When I wrote that, it was about how I used to walk around Manhattan completely broke," Brisebois said. There's a deeply personal reason for its inclusion. But that line doesn't just feel good to scream-sing in a crowd of people. It's the kind of accessible, tactile imagery that brilliant pop music is built on.
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We go back and forth and it's like we can't get it out fast enough."ĭespite the song's title and central metaphor, its most memorable moment hinges on a different metaphor entirely: "Feel the rain on your skin / No one else can feel it for you." "Natasha and I are literally playing tennis together when we write songs. "Everything just started flowing," Brisebois said. Then, Brisebois heard Bedingfield say the word "unwritten" and something clicked into place. They got to work on a few different songs, but none quite met their expectations. I immediately felt, 'Oh my God, I just met somebody really important in my life.'" "And when I went to meet Natasha, this burst of sunshine just burst through the door. I don't have any high expectations usually," Brisebois told Insider. "I'm always a bit skeptical before writing sessions. In a separate interview, Brisebois told a remarkably similar story. "Danielle just bounced into the room with this really amazing energy and I was like, 'This is who I want to write the song with,'" Bedingfield said. The next day, Bedingfield had a session with producer Wayne Rodrigues and songwriter Danielle Brisebois, whom she'd never met. So I just think, 'Can people sing this?'" Cameron Jordan Photography "Pop just means 'popular.' It's anthemic. "So I just put the poem in my pocket and I thought, 'I'll save it for a different session.'" They wanted to write more sexy songs," she explained. "The writers that I was working with that day weren't really feeling it. The concept was simple: Life is a blank page and you hold the pen. "He was 14 at the time, so I was like, 'What does a 14-year-old need to hear? What do I wish that I'd heard?'" she explained. In the studio one afternoon, Bedingfield mentioned that she had written something for her younger brother. Then just 21 years old, the young Brit traveled to Los Angeles to work on her debut album. She had just been signed by Phonogenic Records, a small division of RCA and Sony Music, as the first solo artist on the roster. The legend of "Unwritten" begins in 2003 with a "little poem" tucked away in Bedingfield's trousers. And as Emma Stone demonstrated in that iconic "Easy A" scene, even if you think you're immune at first, you're yes yhop! and his team came to teach me the moves! ♬ original sound - Natasha Bedingfield "So I just think, 'Can people sing this?'"Īnyone who's heard a Bedingfield classic at a club or karaoke party can corroborate. "Pop just means 'popular.' It's anthemic," she explained. "At age 18 or something, I started to have this inner confidence kick in. And yet, she had a knack for songwriting from an early age. The 39-year-old Sussex native described her upbringing as "alternative Christianity," and said she wasn't even allowed to listen to the radio. Though Bedingfield attempted to paint her ability in democratic terms, from the outside it seems clearly inborn, not learned. I think somebody who's skateboarding and does a flip would feel the same way when they land it." "It's that moment when you lose yourself in it. "It is exciting when you write a hit, when you just go, 'Whoa, I couldn't add anything or take anything away from that,'" she told Insider. If the Richter scale measures the energy released by an earthquake, Natasha Bedingfield must have a similar sense for pop songs. Cameron Jordan Photography Natasha Bedingfield/YouTube Sony Pictures Marianne Ayala/Insider Natasha Bedingfield is a Grammy-nominated singer-songwriter.